Mathieu Ganio descends into Gogol’s haunted world in Paris, where dance, voice, and music merge into a fragile, mesmerizing portrait of loneliness and madness.
Any portrait of an artist is incomplete. Kirill Serebrennikov paints his portrait of Rudolf Nureyev in a two-act ballet with music by Ilya Demutsky and choreography by Yuri Possokhov.
Teatro Massimo’s Swan Lake breathes new life into tradition, blending Tchaikovsky’s tragic late-Romanticism with cinematic grandeur and exquisite neoclassical choreography in wind-swept Palermo.
From Paris to St. Petersburg to Copenhagen: the roots of classical ballet’s enduring elegance. Discover how centuries of ballet tradition from France, Russia, and Denmark shaped the art of dance
From Royal Stages to City Streets: Ballet’s British and American Transformations. Explore how British and American ballet schools evolved, blending classical tradition with modern innovation
Rodin meets Nijinsky in 1912 Paris: a fleeting ballet performance becomes eternal sculpture, as two modernist giants collide in a sensual, radical reimagining of dance and form